Tapestry of Time unveil

Over 8 months ago, Russ Lyon Desert Mountain commissioned me to create the first artwork to grace their office walls. Like most projects, this journey was full of twists and turns that ultimately shaped the concept. When Troy presented me with the idea to use the pottery shards, it was the perfect challenge.

My research on showcasing the shards led me to museums that display fragmented pieces in shadow boxes. However, I wanted to go beyond simply featuring them—I aimed to integrate the shards into a painting where they could coexist and enhance the overall composition. This idea sparked a deeper exploration into textiles and weaving patterns used by the region's indigenous people. Rather than replicating these traditional designs, I used modern techniques to craft a contemporary interpretation of what could resemble a modern version of a woven blanket. By pulling colors directly from the pottery and pairing them with a muted palette, the piece came together as a cohesive and balanced work.

This project and its companion piece, Messenger in Time, represent my effort to express modern Southwest art while honoring its sacred historical elements—creating a bridge between past and present that connects us all.